Skip to main content

How Large a Board? NYS Museums and Heritage Organizations Weigh In


For the last month, I’ve had a poll running on this blog asking folks to note the size of their nonprofit boards.  The overwhelming number of voters (80%) chose the 11-20 member category.  Ten percent have a board with ten or fewer members and 10% have a board with 21-35 members.

This mirrors the results for the 2006 annual reports submitted to the NYS Education Department by chartered museums and historical societies.

Of 801 institutions reporting boards of trustees, the average board size was 12.   Forty-one institutions reported board with more than 25 people, ranging from 26 members to a high of 63.

In prior years, the number is almost the same.  In 1998, the average size was 11.

Paul Stewart, who serves on the board of the Albany, NY-based Capital District Underground Railroad Workshop, wrote, “Some organizations seem to like small boards and some large boards. What is the difference in what they accomplish? What other dynamics are there?  …it is clear that having the minimum actually hampers what you can accomplish. I'd like to get a sense of what those with larger boards can do and the difficulties they encounter with larger groups of people. I know from my own experience that it causes quorum problems, you experience the drag of those who don't step to the plate, and when some board members promise to do things and don't follow through it can be very painful.”

It seems to me that the size of an organization’s board ought to reflect and support the organization’s mission and vision and be large enough to oversee or carry out the strategic plan.  A statewide or national nonprofit may very well have a far larger board than one serving a highly focused service or service area. 

For example, the Greater Hudson Heritage Network is a regional museum service organization whose board currently stands at 22, but has plans to grow it to 24.  “We like a board this size since we want regional representation as well as varied professional expertise and advocacy skills to reflect work in a varied, broad museum and history community,” write Director Tema Harnik.  “Small committees seem to function well, in lieu of a smaller board-- it's in committee work, discussion, and recommendation that I see the most participation and "individual accountability."  Trustees like to step up to the plate when they can offer their ideas, not just listen to reports at a Board meeting.”

Paul’s questions about size affecting effectiveness touch on basic issues of group dynamics and group structure – people coming together to get work done have great potential, but their effectiveness as a team requires active planning, management, and communication on the part of the board and staff leadership.  The larger the group, the more necessary these three ingredients become.

Graham Millar of the Tonawanda-Kenmore Historical Society and Museum sums it up best: “Our board is large enough to share tasks, small enough so that we don't have to beat the bushes for reluctant board members.” 

Photo: gavel by TalkLeft, flickr 

Comments

Popular posts from this blog

Three Most Important Nonprofit Executive Director Soft Skills

If you were asked to narrow down the list of executive director qualifications to the three most important, which ones would you identify? Would the list consist of soft skills, hard skills, or some combination? Would your list be based on the great ED you are or one you've worked for, or would it be your wish list for the ED you haven't been fortunate yet to work for?  This was an assignment in my recent online class in leadership and administration for the American Association for State and Local History . I asked the class to review three-five advertisements for museum directors and analyze what these listings intimated about the organization’s past experience, current focus and goals, and future aspirations. Then, I asked the class to identify what they consider to be the three most important qualifications they would look for in a director. (Okay, so there's more than three if you dissect my three big groups.)  Soft skills outnumbered hard skills, although

Back in the Saddle

MY LAST POST WAS NOVEMBER 2012, A LIGHT YEAR AWAY it seems, that marked the beginning of a long push toward completing a manuscript on history museum leadership with my co-author, Joan Baldwin.  We finally submitted 350+ pages to our editor at Rowman & Littlefield this week.  If all goes well, we expect the book to be available in early 2014.  It's taken us two years to get to this point, so six more months or so of revision and production don't seem too long to wait until we can hold the final product in our hands (and you can, too!). The project put a lot of things on hold, including this blog.  I'm glad to be back writing about intentional leadership -- leading by design -- for nonprofit boards and staffs.  Certainly, my thoughts are now informed by the forthcoming book, in which Joan and I posit that nonprofits need to focus resources on leadership, not just management.  Most cultural nonprofits are at a crossroad, as is the sector in general, where nothing is qu

What Would Make You Turn Down an Invitation to Join a Board?

THERE'S SO MUCH WRITTEN ABOUT RECRUITING BOARD TALENT, I thought I'd spend a little time thinking about it from the prospect's point of view. Clearly, there are boards where the line is long to get on them. But what would make you turn down an invitation? Here's a short list to get the conversation started: 1. You've had no prior exposure to the organization. Your immediate reaction is "did you pull my name out of a hat?" (Is that lady in the picture the head of the Nominating Committee?) Seems as though there must be a hidden agenda at work (like you're rich and once you become a board member you'll pour all your resources into the organization) or the organization is simply looking for any warm body to fill a seat. 2. The organization doesn't have a good reputation. There's something to be said for street cred. An organization that's floundering may be strengthened by your participation or you may find yourself sucked into